Jon Spencer “Songs of Personal Loss and Protest” 2026. Shove Records. The latest from the blues explosion man along with his backing band: Kendall Wind and Macky Spider Bowman (The Bobby Lees). The LP insert is hilarious – it’s a long list of possible band name considerations (funniest include “Jon Spencer & the Smartphone Addictions,” “Emerson, Spencer, Lake & Palmer,” most accurate include “Jon Spencer & the Devastators” and “Jon Spencer & His Badass Band) with the final “Jon Kendall Spider” for the win plus an album subtitle “Stink & Fuss.” It’s been a bit over six months since we last saw Spencer perform (December 2025 at Turner Hall in Milwaukee)  so I’m not entirely certain if any of the tracks from Songs of Personal Loss and Protest were played but I feel like maybe my top pick “Knock ‘Em Out” may have been – it’s an absolute ripper and ass-shaker with a vibe that both harkens back to vintage Blues Explosion songs (“Blues Explosion Man”) and looks forward/is contemporary with his young bandmates providing propulsive, high energy rhythm. Besides having the trademark Spencer sound, many also have his sense of humor, too, like on “Orange Slice Blues” (on which he brings levity to his anxiety) and another fave “Wet & Wild.”  Though the album is rocking, fun and funny, he says about the record: “These past few years, there has been a lot of emotional conflict and personal loss — the passing of time takes its toll. Losing friends, losing family, and all of this set against a world gone topsy turvy, where it feels like we are losing basic freedoms… I’m trying to balance a lot of things, but the answer is always rock ‘n’ roll.”

Kim Gordon “Play Me” 2026, Matador Records. We caught Kim Gordon’s set last night at Summerfest – my first time seeing her solo; I did see Sonic Youth back in 1991 opening for Neil Young and Social Distortion (the “Smell the Horse” tour: great lineup, terrible sound as the noise rock/grunge/hard rock/punk mashup tour was done no favors with the now-demolished Bradley’s Center concrete echo chamber). She’s an icon for sure; still cool AF with close to zero crowd banter – mostly just “thank you’s” – and an air of disinterest. The bulk of her set were tracks from her third solo release Play Me and since this is my first time sitting down for a listen, I wasn’t familiar with any of the songs. Honestly, if this wasn’t Kim Gordon I wouldn’t own the LP or gone to see the show. I absolutely appreciate her artistry and creativity but  experimental trip-hop with trap vocals is not really my jam. My top track is “Busy Bee,” co-written by Dave Grohl (he plays drums on the album but sadly did not play this song at the show last night) – it’s way beatier than most the album and also features sped-up dialogue between Gordon and Julia Cafritz (who was in Pussy Galore with Jon Spencer) from an episode of MTV Beach House that Gordon and Cafritz guest-hosted in the 1990s. The title track “Play Me” is also pretty good, as is the lead single “Not Today.” I’m not a fan of autotune at all and while I understand its inclusion both on the LP and at the show last night, it still gives me pain (“Black Out” in particular). Finally of note is the last track “ByeBye25” which is “a reworking of the single “Bye Bye” from her 2024 album The Collective, with updated lyrics based on words flagged [censored] by the second Trump administration. It was accompanied with a black-and-white music video showing Gordon walking through a construction site. Proceeds from the single and associated T-shirt went to Noise for Now, a non-profit organization based on reproductive rights.” (Wiki)

The Notwist “News From Planet Zombie” 2026. Marr Music. Limited edition indie record store orange vinyl variant. Even though it’s been two months since we were in Berlin, I’m still slogging through our vinyl haul from that trip. We picked up The Notwist’s latest LP upon the recommendation of the very odd record store owner (33rpm Records); I have never heard of this Munich-based band but they’ve been around for a LONG time. From their Bandcamp page: “The Notwist, formed in 1989, then consisting of Martin Messerschmidt, and brothers Micha and Markus Acher — released their self-titled debut album on Subway Records a good thirty years ago [in 1991], a unique tightrope walk between melodic independent, metallic rock and explosive hardcore parts…” Their most recent release News From Planet Zombie certainly doesn’t have any hardcore but it is really really lovely, leaning heavily into the melodic indie pop vibe (“The Turning” feels super early aughts alt/college radio: lo-fi angular jangle with some retro xylophone-esque bleep-bloops that eventually descend into a bit of a rager), though some tracks do rock out, like “X-Ray” plus there’s some indie grit on “Who We Used to Be” as well. The Notwist cover Neil Young’s “Red Sun” and it’s a shimmering atmospheric delight. They also cover the Lovers 2009 “How the Story Ends” – a band and song I do not know but Bandcamp  tells me they are indie folk-pop group hailing from Portland, Oregon by way of Athens, Georgia and Notwist’s version is great: the lyrics on News From Planet Zombie are all sung in English and I could really only hear any obvious German accent on that cover and musically it is exceptionally layered; landing both sweet pop and experimental art rock. For all of 33rpm Record dude’s weirdness, he certainly steered us in a good direction with this album.